This collection presents views from different wars that the writer's generation either witnessed and was a victim of, or fought in. It extends from the June defeat, which was beautified by calling it “the setback,” through all the other wars that did not end with the last war taking place now. The stories presented in this collection present different humanitarian situations experienced by the person of war, in which Syria has become something of a practical laboratory for it due to the large extent to which its people have suffered from the scourges of war. It includes the suffering of a child of war who was uprooted from his home and his childhood playground to begin a departure that most likely will not end with a return. The child of war who was accustomed to it and lived with it later to become a victim of a different kind; When the fragments allocated for killing turn into monetary wealth created by his innocent mind, and then he becomes an element in this war, this time being a victim in the form of a fighter, circumstances force him to be placed between two options (either the killer or the killed). The stories of all the world will not be sufficient to express the horrors and suffering that man experiences in wars. These stories are a simple example of them in the form of samples from different stages. Unfortunately, it seems that this notebook will remain open indefinitely, and more tragic stories will join its pages, because the experience It has proven that the tragedy on our land takes escalating forms and generates pain that grows more every day. It seems from the scene in which the events take place that we will experience all forms of pain.
Title: Jasmine has a story
Genre: Dramatic romantic novel
Number of pages: approximately 100
The idea:
Al-Yasmine's story is a novel that tells the story of the child Ghaith, who grew up alone, isolated, orphaned and living under the care of his grandparents. He found in Yasmine the wind that revived his body, and she became his everything and his eternal love from the time she came as a little girl to visit her grandparents until she became a young woman. Circumstances made it so that she lived with him in the same house, so that their attachment to each other increased in a strange way and their relationship became stronger. Ghaith worked hard to graduate and get a prestigious job in order to propose to her wealthy diplomat father, who ruled that this love would not last. They separated so that Yasmine left to study outside the country. Ghaith could not stay in a place that held her memories. He returned to his isolation, deciding to move away in order to forget her and become busy with his work as a soldier outside the country, devoting himself to serving the nation. Until that day came, five years later, when Yasmine decided to enter his life again, as she was unable to forget him. Ghaith, who was angry at her reappearance and unable to face his feelings towards her and making it difficult for her to forget her, tries to distance her from him. However, they fall in love with each other again with greater force. Ghaith decides to propose to her for the second time, but her father's insistence on refusal cuts off all hope of their reunion. Until fate decided, years later, that Ghaith was injured during a military exercise and transferred to the hospital where Yasmine worked as a doctor, to get to know his wife, who proved to her that Ghaith still loved her.
I do not see the universe as a collection of objects, theories, and phenomena. Rather, I see it as a vast stage on which actors move, driven by the complexities of the story and its plot. So when writing about the universe, it is natural to bring readers to the stage, and behind the scenes, to see firsthand for themselves how the scenes are prepared, how the lines are written, and where the events will take place later. My goal has always been to provide insight into how the universe works, which is more difficult than simply conveying facts. We will encounter times along the way - as in the best theatrical performances - when we smile, and at other times we frown when the universe calls us to do so, and at other times we will tremble in fear before it as well. Therefore, I see the book “Death in a Black Hole” as a gateway for the reader to everything that excites us, enlightens us, and terrifies us in this universe.
Neil deGrasse Tyson
Rosario receives a bullet while she is receiving a kiss, this is how Jorge Franco begins his novel, and in those moments that Rosario spends suspended between love and death, the narrator tells us the story of a strange and mysterious love that he lived on one side with her, recalling with remarkable movements the past of “Rosario,” or rather what he was able to know from her past. She was the one who grew up in the city of Medellin, where there were weapons, crime, and poverty, and she used scissors as a tool to carry out all her crimes until they became close to her name.
In quick and intense flashes, the writer draws the features of an unpredictable, mysterious character who kills his victims in cold blood while imprinting the kiss of death on their lips. When he does this, he does not reveal everything, but rather provokes the reader’s imagination, inviting him to participate in completing the picture.
كتاب خوارق اللاشعور هو دراسة للنفس البشرية حيث يبحث مجال العبقرية البشرية و كيفية الوصول إلى هذه المرتبة وكذلك دور العقل الباطن في العملية الفكرية و كيفية استغلاله ولعلى الوردى دور كبير في هذا المجال ويعتبر من أبرز من ألف في مجال الكتب الفكرية.
