منطقة الغموض.. نبذة: مجموعة قصصية بالغة الغرابة، تثير لديك تساؤلات لاتنتهي ، وستعرف من خلالها بأن الحياة ليست مكاناً أمنا كما يتصور البعض ، وستزور منطقة قلما يدخلها أحد ، ويخشى الجميع عبور بوابتها ؛ لانها منطقة الغموض
Poor awareness:
Poor People of Consciousness, a book that includes stories mixed with the bitterness of reality and the texture of imagination, where I narrated the events of the stories so that I could raise the problems faced by some groups of people and according to the experiences of souls who suffered from the injustice of suffering. Stories that captivate the reader and make him think about their details, live their events, and compare them with his mistakes if he finds a similarity in them, so that he can think and make a decision... whether to continue or to rise to the highest levels of awareness and be enriched by them.
The stories are not true, but the extent of the suffering is real and based on the reality of hearts that suffered from the bitterness of ignorance and the control of negativity, hearts that did not learn until they suffered and lost a lot, hearts that paid an abominable price for their ignorance of the secrets of life.
Stories that make the reader think
Stories that make the reader learn and educate
Stories for lessons and benefits
Stories that positively change the way minds think
Stories are not just for entertainment
Stories that elevate you to be among the list of rich intellectuals
Sometimes I wonder, why don't we learn until we hurt? Why cannot we learn from the mistakes of others and reach the stage of awareness? It is true that experiences increase our experience in life, but why do we not make awareness reach maturity by learning from the mistakes of others and striving towards positive change in our lives?
The goal I seek in telling these stories is not just a narration of events, but rather to convey the ideas and lesson from each story to the honorable reader, as life is about lessons that we learn from the experiences we go through, and in the end the lesson is not to repeat mistakes and enhance awareness of the positives.
My prayer is that everyone will benefit from reading the stories I mentioned. A person may see himself in a similar situation and may think I mentioned it, but that is not the point of publishing the book.
From India's diary:
Every stage of a person’s life is beautiful if the person accepts it with its different circumstances. Some of its details remain engraved in the mind, both sweet and bitter, over the years.
Adolescence was one of the most critical stages I went through. At that time, I did not understand how everyone was dealing with me. Was I still a little girl with adult topics forbidden from me, or an older girl who had entered the world of thinkers and responsibilities?
Hind, here, is a face that reflects the aspects of life of many teenage girls in Gulf society and what ramifies this life related to relatives, friends, or other social relationships.
Having gone through adolescence one day, I can say to Hind: There must be hope that you always search for and wait for, despite all the storms you will face in your life and the stumbles in your steps. Know that hope is an inner peace that makes you smile despite the pain.
Because today's generation does not like to read introductions, it is a generation of speed and a generation that likes to reach the end in the maximum time, a generation that loves reading but loves abbreviations, and loves writing with symbols, inscriptions and secrets.
Therefore, there is no introduction, but rather a simple beginning to introduce the topics of the book.
I started writing this on Monday, December 5, 2016 in Rabat, Kingdom of Morocco.
Life is a drama, and drama is a drama within this drama, and most of it talks about this drama that emerges from it, and the process of acting is the enemy of this drama. The more we are honest in presenting this drama, and the more we are spontaneous, the more we seem real, and the exact opposite is true. When you look like you are acting, you will be closer to failure, and farther away from the audience’s love. Even a clown must clown with sincerity and spontaneity that makes him appear real. Our example is Charlie Chaplin, who used clown tools in all his roles that people know, and the audience interacted with the humanitarian issues that he raised and sympathized with them. .
We all know that what is presented on the screen are nothing but events that have no basis, so we think, but why do we follow them if we believe that? We follow it because we are in fact the heroes of this drama: its author, director, actor, and the rest of its makers speak in our name, act for us, and represent us at the same time, and when we follow them we are watching ourselves, or details from it.
This collection presents a group of stories that attempt to approach the worlds of drama in one way or another, in writing and acting.
