Misfortunes befall the Levant Sharif, the birth of strange children increases, drought and poverty prevail, and the attempt of Ibrahim Pasha and the apostles of the French Revolution who joined him to overthrow the state of the Ottoman Sultan is nothing but a sign of the imminent arrival of Satan, as the religious extremists see, trying to preserve the Levant Sharif, fighting the creation Newspapers and comics that encourage obscenity. All of this is happening outside, while Arwa sneaks into Bernardo’s house and messes with a strange drawing of a complete being, carrying both masculinity and femininity. In an interesting plot that combines imagination with history, myth, and folktales, Khairy Al-Dhahabi tries to read the effects of the French campaign in Syria, and monitors the return of theater to the Levant, discussing many problematic issues: myth, masculinity and femininity, and the Damascene people killing those who are gay among them.