The shelter of absence is a place built of words. Everyone in it belongs to the world of his imagination, and lives in a state of obsessions and doubts. A scientist who surrenders to ambiguity and hieroglyphs and loves the mercury of impermanence and uncertainty. In this shelter, we do not know whether what we read are the preparations of the goddess of talisman, or if they are the same as the preparations of others. We do not know whether to believe her or to believe in the suffering writers who create themselves with the power of language and invent worlds and selves with words. In “The Shelter of Absence,” we read about the wreckage of events and people, and about the brewing panic of perishing cities, in stories that belong to the imagination and the grotesque, as much as they derive from the devastation that occurs in reality as material for writing. Critic Dr. Mohamed Al-Shahat believes that the narrative of “The Shelter of Absence” builds “on constructing an imaginative journey, with successive episodes, that questions the concepts of space, time, and human existence. In doing so, it searches for the essence of human communication beyond “language” in its common sense.”