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In her book, Zinc Boys, Svetlana Alexievich documented the Soviet intervention in Afghanistan between 1979 and 1985. In it, she collected interviews with soldiers returning from the war, or with mothers and wives of soldiers who were killed there, and whose bodies were returned in coffins made of zinc. The result of the war was thousands of dead, disabled and missing people, which prompted Svetlana to raise sensitive questions about the war: Who are we? Why did we do that? Why did this happen to us? Why did we believe all that? Svetlana was put on trial for publishing this book, and part of the documents related to the trial were added in Arabic translation.

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Catherine, an orphan girl, carries the stigma of her social background because she is of mixed race, in an era when society was against her and all the principles she represented. In the midst of her daily struggle, music gives her the freedom to temporarily escape and the possibility of dreaming of a better life. Within a journey ravaged by the vicissitudes of unexpected motherhood and an absent husband, Catherine strives to protect this hard-earned haven and rely on her talent to build a future for her family. Mahsa is also an orphan girl, who grows up in an atmosphere of loss after her parents die and she is sent to live with her relatives in Pakistan. As part of her struggle to find her freedom, Mahsa flees to Montreal, leaving her first love behind. But in the end, she discovers the impossibility of cutting the threads of her past, and finally finds herself forced to accept an arranged marriage. For Mahsa, music becomes her beautiful solace, allowing her to escape from the oppressive circumstances that surround her. In light of their struggle between the visible life and the hidden life, the two girls, music lovers, meet... *** “I can no longer remember the number of times I stood captivated by the details of the events of this poignant novel. Each page depicts hope versus despair, and asks us to struggle to achieve our dreams without which we would be lost. This story, which presents the themes of motherhood and friendship, through its two exceptional heroines, will remain... Engraved in my memory to accompany me for a long time.” Khaled Hosseini, author of The Kite Runner and A Thousand Splendid Suns.

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Thousands of wars took place, short and long. We knew the details of some of them, while other details were absent among the bodies of the victims. Many wrote, but men always wrote about men. Everything we knew about war, we knew through “the man’s voice.” We are all prisoners of “men’s” perceptions and feelings about war, prisoners of “men’s” words. As for women, they have always been silent. In World War II, approximately one million Soviet women participated in fighting on all fronts and in various tasks. Svetlana raises important questions about the role of women in the war: Why did women, who defended their land and took their place in an exclusive male world, not defend their history? Where are their words and where are their feelings? There is a whole hidden world. Their war remained unknown... In her book, “War Has No Female Face,” Svetlana writes the history of this war. Women's war.

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The controversy that took place on the pages of newspapers, magazines, and television seminars about the series Al-Zeer Salem moved this series from being an entertainment material that ends with (I like it or I do not like it), to being a cultural material whose discussion requires a cognitive reference. The ending to Al-Zeer Salem in the series was one of the most controversial topics. The popular story ends when Al-Zir wins and Al-Jarru manages to kill his uncle Jassas and humiliate Bani Bakr. But history does not stop at the popular mood with which biography interacts. People are defending the stereotype they have in their mind of the hero. Historical truth destroys and distorts this image. Therefore, it is easier for them to deny this fact than to accept it. Denial comes either by accusing us of forgery, distortion for the sake of omission, or ignorance of history or biography. Not to mention the accusation of being hostile to the nation and distorting the images of its heroes. All of this created an opportunity for us to have a serious discussion about drama and its relationship to history and popular biography, by responding to some proposals. Perhaps this discussion will bring some benefit to the reader, and shed light on some of the ambiguities that have occurred.

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In The Red Ring, the writer returns us to the methods of the standard French realist school, in a detective style that is not devoid of suspense, and invites us to reconsider our political affiliations and alignments, regardless of their differences, and to scrutinize their origin and motives. He also asks us again the big questions about the issues of war, death, patriotism, and loyalty. Through a story that took place shortly after World War II in the French region of Berry, where a heroic veteran is arrested. He was detained in a cell that was a military barracks, and an emaciated dog barked at the door day and night. Not far from her, a young woman lives the peasant life she was not made for, hoping to wait. A young aristocratic judge investigates the detainee's case, after the war stripped him of his ideals and values. Linking these characters is a dog that holds the keys to the story.

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A collection of poetry by poet Adel Mahmoud from the atmosphere of war in Syria. “To the Syrian heart who makes love, After all this hatred, it's possible."

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What happens when we die? Is there a second life after death? Why does everyone talk in their dying moments about a tunnel of light at the end? Can insects read? What does a Tibetan monk do in a high school? Was Newton just a mathematician? How do we save the world? And most important of all, does she reciprocate his admiration? Many important questions that need to be answered, and who is more capable of doing that than a high school student who believes that he is the best musician in the world, and with a little help from his coffee-loving grandfather (even if he is dead... a little).

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A novel that reflected the writer's absorption and complete involvement with the mechanisms of the subconscious and the methods of psychoanalysis

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There was a tree on the river bank, a coconut tree. Siddhartha leaned over her, wrapped his arm around her torso and then looked at the greenish water flowing beneath him. He looked down and was filled with the desire to lower himself into the water. The terrible emptiness in the water reflected a terrifying emptiness in his soul. Yes. He was at his end. There was nothing left but to remove himself. This was the work he longed to do, to destroy the formula he hated! May the fish devour this heart of Siddhartha, this imbecile, this corrupt and worn-out body, this dull, consuming soul! May the fish and crocodiles devour him and the demons tear him apart. With convulsive features, he stared at the water and saw his face and spat on it. He moved his arms away from the tree trunk and turned slightly, hoping to fall on his head and dive. With his eyes closed, he leaned toward death.

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If the novel is an imaginative inspiration for events that actually occurred, and the diary is the actual documentation of its writer’s vision and view of the events as he experienced them, then the text of “An Incomplete Piece of the Damascus Sky” goes further than a marriage, but rather is closer to the dissolution of the arts into each other’s details. Poetry and prose, a fictional novel or the diary of a living being, details for each person and a generalization that does not concern anyone. Crying is like loud laughter, at a sentence that surprises you despite the expected context, but that exceeds every possibility proposed by your imagination. * Ahmed M. Jaber - Al-Arab newspaper, London

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Its intellectual value. Russell was committed throughout his life to working to change the world in which he lived, and to addressing the public in a clear, rational manner. This is one of the intellectual virtues of philosophy: explaining, clarifying, simplifying, and opening the way for everyone to participate in the process of changing the world. The articles revolve around three axes: First, freedom: Throughout his life, Russell defended freedom of expression in the face of extreme religious and nationalist beliefs. His battle was to defend freedom of expression regardless of the oppressive force. This basic principle was one of the focuses of his thinking about politics and ethics. Secondly, religion: Russell criticized the Bolsheviks’ suppression of believers, and he also criticized the religious people’s suppression of atheists. His position on religion stems from a principled commitment to freedom of expression and faith. Third, rationalism and philosophy: Russell defended rationalism throughout his life, and refused to believe in any issue or opinion that was not supported by evidence in a clear, rational manner. On the other hand, mainly following Hume, Russell holds that reason has limits, and that the rationalist position also requires that we accept that our understanding of the world is limited by the limits of reason