John is assigned a strange mission: to investigate the truth about a rare love story in the ocean country. But he soon noticed that the country he came to had no children. Little by little, the truth is revealed to him that people are afflicted with a strange disease that is leading them to their end. The women revolt and the authorities confront them by denying the problem, and a brutal war breaks out, the smallest details of which are recorded by John in his report, while he continues to search for the alleged love story, but what will happen when he discovers the only man who has not been infected with the disease? In "The Women Who...", one character breathlessly delivers the story to the other, thus building the architecture of the novel that presents, within the folds of its strangeness, imagination, and unreality of its events, a legendary story, but it is verifiable in our real world.
I mean: If that were the case, how much of our dignity, human solidarity, and sense of humanity have we lost until we became accustomed to the humiliation surrounding us, for ourselves and for others?! We have even come to accept this violence and inhumane treatment with which we or others are treated as we see it in life or when we read about it or see it on television. (We will ignore that we sometimes treat others in this way: our children, our subordinates, or those who fall into our hands among our enemies, for example, or the prisoners in our hands, assuming that some of those who carry out these tasks can read what I write).
Our habituation to this humiliation is reflected in the fact that we have come to accept that torturing a prisoner is a given. We no longer wonder about the effect of that torture on the prisoner-victim, even after his release from prison, just as we no longer wonder about the effect of torture on its perpetrator. Can he easily return to his normal daily life after leaving the torture room, as if he left the toilet to resume his life?
This is the first time I have gathered my thoughts on this topic after many attempts and articles scattered in more than one place.
بَرَع «عباس محمود العقاد» في تناول شخصية الإمام «علي بن أبي طالب»، فقد جعل محور العرض هو مناحي النفس الإنسانية، إذ استخلص من سيرة الإمام ما يلتقي وخصائص هذه النفس الإنسانية عنده. ففي سيرته مُلتقى بالعواطف الجيَّاشة والأحاسيس المتطلعة إلى الرحمة والإكبار؛ لأنه الشهيد أبو الشهداء، ومُلتقى بالفكر؛ فهو صاحب آراء فريدة لم يسبقه إليها أحد في التصوف والشريعة والأخلاق، ومُلتقى مع كل رغبة في التجديد والإصلاح، فصار اسمه عَلمًا على الثورة. كما عَرض الكاتب لطهارة نشأته، ونقاء سريرته، وعلوِّ هِمته، وقوة إرادته، وغزارة علمه وثقافته، وروعة زهده وحكمته، وصدق إيمانه وشجاعته، وثباته على الحق ونصرته، وتضحيته في سبيله بروحه، فقدم عَرضًا وافيًا كافيًا يجمع بين دَفَّتَيْ هذا العمل سيرة رجل من أعظم من أنجبت المدرسة المُحمَّدية.
لغات الحب الخمس: كيف تعبر عن حبك العميق لشريك حياتك هو كتاب صادر في عام 1992 لكاتبه غاري تشابمان. يحدد فيه خمس طرق للتعبير عن الحب وتجربته بين الشركاء العاطفيين والتي يدعوها تشابمان «لغات الحب
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