Ingrid Barøy was born on a small island off the northwestern coast of Norway, an island inhabited by only one family, living out their ambitions and dreams that collide with the boundaries of the land and the weather, and the mercy of the sea, which provides a living, but also brings death.
Father Hans dreams of building a pier connecting them to the mainland, but contact with the outside world comes at a price, which Ingrid will know fully after she grows up and goes to work there for a wealthy family and take care of her two children. With the couple disappearing one day, she finds no choice but to return to her home with the two children, and thus the island’s population increases in number, and a different life begins, especially as Norway awakens to a wider world, a modern world that is volatile and can be cruel.
“The Invisibles” is a profound interrogation of freedom and destiny, written with delicate narration and brief, simple, calm sentences tinged with poetic tensions, creating a painting of natural cinema that makes the “invisible” clearly visible.
The two brothers, Helmy and Diaa, work in a car repair shop, while their mother works as a dancer in a nightclub.
Every day, when she goes out to work, one of the brothers disguises herself in her clothes to imitate her, and exercises the same dominance over the other with which she treats them.
In a theatrical text based on the play “The Maids” by the French writer Jean Genet, and taking place in the poor post-war neighborhoods of Damascus, Zain Saleh raises the questions that an entire generation suffers from about power, family, asylum, and gender.
Does man really develop towards a higher level of civilization? Or are we as savages today as we were at the dawn of history?
This book is a charter of ferocity and a record of brutal atrocities committed - even in the name of religion and justice.
The facts are terrifying, but no description, no matter how accurate and vivid, can describe the truth that has not been told.
This book aims to shock, as humans need to be shocked by their awareness of their potential for ferocity.
In this novel, “Sabwat Yassin,” we will see the fictional character of the intellectual divided into two characters, the character that the state created, fabricated, and presented as its true self. The original character who escaped from this dark fate went to the home of the religious people from whom he had tried to escape, and then to the community of the Non-Qabalan, a tribe seeking peace who had no dream except to escape from the Qabalan, the sons of Cain, the eternal killer.
Yassin escapes and flees, but the state is bigger, and we will read in the novel: “He looked again in the mirror... The face is a real Yassin, there is no doubt, no doubt, no worry about it. But what about this large number of Yassins in the mirrors, Yasin the face, Yasin the back, Yasin the right? Yassin on the left, Yassin al-Qadhali in front, and Yassin al-Yami on the left.”
Sabwat Yassin is an image of an intellectual torn between the dream of a universal culture and an oppressed society
The message of forgiveness, a contemporary formulation
65 AED
115 AED
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Based on this wish for all Arabs to read what they are able to read, from ancient heritage to modern antiquities, I returned to (The Epistle of Forgiveness) to place it in the hands of senior scholars, intermediate scholars, and those below that. But how do we return to it with passion, eagerness, and the ability to benefit from it after readers have moved away from it until there is no place left for it except in the farthest corners of libraries because it cannot be read no matter how much we tempt people to read it? Would they not be repulsed by it and flee from it as they would from a heavy burden, even if you gave them a generous reward for reading it? Here I came up with an idea that I hope will resonate well with people and students of culture, which is to reformulate it.
It was necessary to include the text (Ibn al-Qarih’s letter) because the letter of forgiveness was a response to it. It is not possible to understand (forgiveness) without considering the message of (Ibn Al-Qarih). I treated it in the same way of paraphrasing so that the two messages fit together.
Twenty years have passed since the end of World War II. A foreign man returns to the German city of Dresden to visit a friend. But instead of his friend, he meets a twenty-year-old girl who works in a new hotel, and a long night-time conversation takes place between a man who spent the last two years of the war in that city, and survived the devastating bombing and Nazi concentration camps, recalling all the pain and tragedies he experienced, and a girl from the next generation. The war, whose horrors he did not know or experienced, is trying to live with a legacy burdened by the crimes and atrocities of his fathers.
"I can't help you, my little love. It's your fight and you have to fight it alone. No one's going to help you, not even me."
قوة الدماغ: طوِّر تفكيرك كلُما تقدّمتَ في العمر. بواسطة. كيلي هاول · مايكل ... الكتاب مجموعة متقنة من الأدوات لتحسين الدماغ وبالتالي تطوير مختلف مجالات الحياة.
