Because innovation is not a talent, but rather an acquired act that requires from us the will, persistence, and determination to do the thing in the correct manner required, I present this story, which I want to be an example for us so that we stop saying that innovation is a talent and that we do not all have it.
Come a little closer and listen:
This book contains some of me and others. In it, I collected pages from my life and my readings of life, of people, and of those around me. Because we all live in a patch of earth of limited space and vast dimensions, we are all affected by what we see in others and in ourselves.
In this novel, “Sabwat Yassin,” we will see the fictional character of the intellectual divided into two characters, the character that the state created, fabricated, and presented as its true self. The original character who escaped from this dark fate went to the home of the religious people from whom he had tried to escape, and then to the community of the Non-Qabalan, a tribe seeking peace who had no dream except to escape from the Qabalan, the sons of Cain, the eternal killer.
Yassin escapes and flees, but the state is bigger, and we will read in the novel: “He looked again in the mirror... The face is a real Yassin, there is no doubt, no doubt, no worry about it. But what about this large number of Yassins in the mirrors, Yasin the face, Yasin the back, Yasin the right? Yassin on the left, Yassin al-Qadhali in front, and Yassin al-Yami on the left.”
Sabwat Yassin is an image of an intellectual torn between the dream of a universal culture and an oppressed society
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