Endless hordes of palm trees roll horizontally, regularly and lightly, behind a small human body, heading towards the village of “Al-Ghazala” to destroy it completely. While the residents of the village and its people live the horror of the last moments, awaiting their inevitable fate drawn by someone seeking revenge, there are pasts that unfold, events that appear, and stories that are reproduced to tell the story of two imaginary villages.
In a strange atmosphere, and the strangest relationships between the characters of his novel, “Ahmed Kamel” grapples with the idea of human helplessness, and delves into the worlds of secret desires, which people do not dare to announce or reveal.
“Mountain of Metaphors” is a novel that takes inspiration from the proverbs of villages in the Egyptian countryside, the beliefs of its people, and their fairy tales, to build its own myth.
This novel will surprise you a little.
After you finish reading it, you will not be able to tell it.
The writer is from Cameroon, and the event is simple. It takes place in the apartheid society controlled by the whites: The village residents wake up to news from the military ruler stating that the “great leader of the whites” will come from Paris to award old Mika a medal. In appreciation for his efforts and sacrifices, he is the one who lost his two sons who fought with the French army, and donated his land to the new church. Like the residents of his village, Mika feels great as a result of this appreciation, but he soon realizes that he is not strong, but rather a weak, oppressed old man in a weak, oppressed society. A battle in which he is defeated without his opponent appearing in the ring.
The old man and the people of his village are trying to cling to what remains in the memory about themselves, their customs, their methods of expression, their reactions, and their struggle for justice, but they realize on a daily basis: ((The whites have left nothing for us)).
Ferdinand Oyono does not interfere, as if he is sitting among them, doing what they do, so you do not know his direct position on what is going on, and he also drags you to sit with them and participate with them. It does not only aim to introduce you to the problem that people are experiencing, but also to the creative expression methods of these people.