By “Writing and editing: Adham Abdullah
“بعيدا عن الإعلام الجمعي، فإن التلفاز، على خلاف ذلك، هو قوة لنزع الصفة الجمعية: إنه يفصل الأفراد الذين يشكلون الجماعة
نحن أمام سيرة ملهمة.. قصص حقيقية غيَّرت مصاير، وشاركت في نشر ديانات وعقائد.. سِيَر غيّرت شكل الأرض التي نحياها.. قصص سيدات أقمن بيوتًا، وحاربن من أجل أهداف، ودافعن عن فكرة، وأخلصن فظلت حكاياتهن تُروى على مرّ الأزمان.. نحن أمام تفاصيل وبحث تاريخي عميق ومختلف
إتيكيت التحية والمُصافحة · إلقاء التحية من قبل القادم على المُقيم، والمارّ على الجالس. · الرّد على التحية بتهذيب. · إلقاء التحية قبل بدء الحديث، وعند الانتهاء منه.
By Lime Friday
Media development in the Emirates: It deals with one of the most prominent vital sectors that contributed and continues to contribute to the process of construction and development in the United Arab Emirates. It is clear that this book came as a result of the rich professional experiences and diverse knowledge of its author, who witnessed the development of this sector and interacted with national efforts to develop it and advance it towards The best. There is no doubt that the media sector in the United Arab Emirates is one of the basic pillars on which the Union State was built during a half-century of impressive civilizational achievements in various fields. The media in the country has always been an honest voice for the nation, defending its issues and positions, publishing its achievements, strengthening its national identity, and contributing to consolidating the Union State and its lofty national and humanitarian values. During the past fifty years, the media sector in the UAE has developed steadily to occupy a leading position in the region, not only in the number of media outlets operating in the country, but also in the quality of media practices that applied the highest professional standards in dealing with media affairs, not only in the field of Employing the latest technologies and methodologies in content creation and distribution, and in the field of strengthening relations with members of the public, and even in the field of developing a national and global media model capable of responding to the fluctuations of times, and producing new tools for innovation in communication and interaction with the public within a framework of mutual respect and trust.
Black peacock: A novel centered around the methods used by political organizations, particularly ideology, to create their individuals who are assigned special roles and at planned times. The social and psychological conditions that the main character in the story goes through are exploited and employed skillfully by the organization to perform their roles efficiently in the future. The black peacock is a very complex human condition. It appears within the text with different masks and at multiple stages of time. According to this condition, its owner is forced to wear masks that suit every stage of his life and are consistent with the role assigned to him within a long path that was mapped out in advance while he was still young. The novel presents its mysterious main character in two parallel narrative lines, once in the mirrors of others and again in an internal monologue of the same character as she struggles with death on the surface of the river. The story begins with the story of the mysterious advisor Taj al-Din, one of the leaders of the Islamic movement and one of the mysterious influencers in government, and his strange, transforming personality, with many confusing masks, to delve into the details of a long period of modern Sudan’s life extending from the seventies of the last century, from the years of Nimeiry’s rule and extending To the beginning of the new century, filled with many events that changed the course of political events in the country. The name of the novel is taken from an adjective given to its secret hero, Adam, when he was thirteen years old when he was serving his sentence in a juvenile facility for killing his mother, her husband, and their son. At this stage, the organization pays attention to Adam's personality and his tendency to violence, and is preparing for the years in which Islamists will rule the country. The novel presents the main character from two angles: as a perpetrator who trapped many victims, and as a victim who was deceived and fell into the trap of violence. Adam is transformed by the game of masks into Ammar Al-Barakas, Shaker, Taj Al-Din, and many other names. Thanks to it, and thanks to his deep culture and exceptional abilities, he became one of the arms of violence that the authorities exploited to discipline their opponents during the third democracy period, which lasted between the years 1986-1989, and then used it in its multiple wars in South Sudan. And Darfur, which the alleged advisor himself admitted in his narration of his memories in a personal monologue during his struggle with death. The novel begins with the scene of the enigmatic and enigmatic man (Taj al-Din) moving to the Burri neighborhood, located east of the capital, Khartoum, close to the shore of the Blue Nile, where he kept his distance from his neighbors until the moment his death was announced in the plane accident, without any reference to his name among the missing. The question mark over the man's fate haunted the imagination of his chance neighbor and former companion during his university days, Judge Al-Naim Darraj. He is provoked by the story of the man who wore different masks, so he travels the country in search of the turning point in the path of the mysterious man before he solves all the mysteries in the end.
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أشعر بالذنب تجاه الجميع، أنا قاتل.. وهذا أول اعترافٍ مني لك، أعيش بين القبور بجانب أسرتي وعلى الجانب الآخر ضحية قُتلت بيدي ولم تقترف ذنبًا واحدًا.
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