Ingrid Barøy was born on a small island off the northwestern coast of Norway, an island inhabited by only one family, living out their ambitions and dreams that collide with the boundaries of the land and the weather, and the mercy of the sea, which provides a living, but also brings death.
Father Hans dreams of building a pier connecting them to the mainland, but contact with the outside world comes at a price, which Ingrid will know fully after she grows up and goes to work there for a wealthy family and take care of her two children. With the couple disappearing one day, she finds no choice but to return to her home with the two children, and thus the island’s population increases in number, and a different life begins, especially as Norway awakens to a wider world, a modern world that is volatile and can be cruel.
“The Invisibles” is a profound interrogation of freedom and destiny, written with delicate narration and brief, simple, calm sentences tinged with poetic tensions, creating a painting of natural cinema that makes the “invisible” clearly visible.
«إبليس» على وجه الأرض كان كُلَّ الخير! خيرٌ حين بدأ التمييز بين الخير والشر؛ حيث لم يكن بينهما تمييز قبل معرفة الشيطان بأفعاله، ووساوسه، وصفاته، وخفايا مقاصده الدنيئة. فنحن أمام دراسة وافية من الدراسات المتميزة حول «قوة الشر» منذ قديم الأزل إلى منتصف القرن العشرين؛ ماذا كان قبل الشيطان؟ ولماذا سقط الشيطان في غيابات الشر ودروبه؟ وكيف كان في الحضارات السابقة؟ وما نظرة الأديان الثلاثة إليه؟ وإلَامَ آلت الأحوال به في هذا العصر؟ تلك هي الأسئلة التي حاول العقاد أن يُجيب عليها في هذا الكتاب.
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