Flashes of conscience:
Pictures in the form of flashes emanating from the author’s conscience, which he shares with the reader to build positive energy within him, through motivational phrases, positive thinking, and moral psychological rules that enable him to overcome obstacles on the path of his life, fill it with happiness, and do the impossible to achieve success and happiness, and shine in dealing with others.
During his sermon, the president of the country violates the instructions of those around him among the regime’s seniors, which stipulate that he should not do anything or say anything other than what they had planned for him. As a result, they begin work to complete his mission and place a new look-alike in his place from among the twelve look-alikes who train them on everything related to him. The real president, but there are those who are planning a coup against this situation, so what will be his fate?
In this highly contemporary and current work, the German writer recasts history to apply to many countries now, brilliantly depicting how during periods of tyranny many people turn into malleable tools, into machines and puppets. “Disobedience is a disease that leads to death in our country, a disease that is disappearing.”
Life is a drama, and drama is a drama within this drama, and most of it talks about this drama that emerges from it, and the process of acting is the enemy of this drama. The more we are honest in presenting this drama, and the more we are spontaneous, the more we seem real, and the exact opposite is true. When you look like you are acting, you will be closer to failure, and farther away from the audience’s love. Even a clown must clown with sincerity and spontaneity that makes him appear real. Our example is Charlie Chaplin, who used clown tools in all his roles that people know, and the audience interacted with the humanitarian issues that he raised and sympathized with them. .
We all know that what is presented on the screen are nothing but events that have no basis, so we think, but why do we follow them if we believe that? We follow it because we are in fact the heroes of this drama: its author, director, actor, and the rest of its makers speak in our name, act for us, and represent us at the same time, and when we follow them we are watching ourselves, or details from it.
This collection presents a group of stories that attempt to approach the worlds of drama in one way or another, in writing and acting.
