From India's diary:
Every stage of a person’s life is beautiful if the person accepts it with its different circumstances. Some of its details remain engraved in the mind, both sweet and bitter, over the years.
Adolescence was one of the most critical stages I went through. At that time, I did not understand how everyone was dealing with me. Was I still a little girl with adult topics forbidden from me, or an older girl who had entered the world of thinkers and responsibilities?
Hind, here, is a face that reflects the aspects of life of many teenage girls in Gulf society and what ramifies this life related to relatives, friends, or other social relationships.
Having gone through adolescence one day, I can say to Hind: There must be hope that you always search for and wait for, despite all the storms you will face in your life and the stumbles in your steps. Know that hope is an inner peace that makes you smile despite the pain.
Khairy Al-Hallaq is a dangerous criminal sentenced to death. He spends the remainder of his life in prison waiting for the moment of execution of the sentence, and hides from everyone the secret that prompted him to commit his crime. A secret that might lighten his sentence, or save his life. When he enters the political prisoner ward, the criminal changes his convictions and reconsiders his life, thus dying a different person.
This “sermon” delves into the Turkish community of killers and criminals, to depict the prisoners’ diaries and their struggles in the cells, but it also carries a political and humanitarian dimension by criticizing the death penalty, and the societies’ attempt to purify themselves by choosing a scapegoat on whom to comment their crimes and corruption, and celebrate the joy of ending his life.
The sernama is usually a book that accurately describes a specific type of public celebration, but the sernama of Aziz Nessin conveys the facts and details of the execution of a “criminal” who lost his right to change.
The fall of Erdogan:
It was not the final scene that Turkey experienced, from a victory against Ekrem Oglu in the Istanbul elections and the loss of the Justice and Development Party candidate in the second round of re-elections, and the Justice and Development Party is on the path to disintegration with the escalating wave of internal defections of a number of influential and influential figures, such as Ahmed Davut Oglu. The Turkish economy is experiencing an escalating crisis, which has revealed the fragility of the Turkish economy, which has become a puppet in the hands of President Trump’s tweets, which affect it in moments. It is a surprising situation, rather it is an inevitable result of the policies that Erdogan has adopted and, unfortunately, he still insists on.
«المساكين» هو كتاب نثري صِيغَتْ صورُه من آلام النفس الإنسانية في صورة قصصية يرويها لنا الكاتب على لسان الشيخ علي شيخ المساكين، الذي يقصُّ مأساةَ الفقر والعَوَزِ الإنساني في رحاب قصصٍ تحمل الكثير من العِبَر والعِظات الدينية والاجتماعية. ويعرض الرافعي في هذا الكتاب فلسفة الفقر التي يصيغ تفاصيلها بواسطة أدواتٍ من البلاغة الأدبية التي عَهِدْناها منه؛ لأنه المبدع الذي ينظر إلى مأساة الفقر بنظرة الفيلسوف ومداد الأديب الذي يحوِّل مأساة الواقع إلى صورةٍ بلاغية تحوِّل الفقر إلى طاقة إبداعية، تضع الفقر في صفحاتٍ من الحكمة الفلسفية والبلاغة الأدبية
The scent of narcissus
It is a collection of stories that carry within it the harvest of the years. I derived its ideas from my daily observations, experiences, and coexistence with my students and colleagues, but it is not related to a specific character, as I formulated it to be a general situation that sometimes overlaps with more than one experience and more than one character, as the reader will live with the woman who sacrifices... She gave her life for the sake of others in “The Handkerchief”, the oppressed girl in “Abeer”, the arrogant girl “Shatha Al-Narjis”, the struggling teacher “Professor Marzouk”, the unfaithful friend “In the Wind”, and honoring parents “The Moment of Birth” and the downtrodden employee “Skyscrapers”. There is a view into the past through the story “Bars of Silence.”
I wrote this collection during my participation in the Aqdar Writing Program, which was organized by the Ministry of Education two years ago. The Ministry of Education printed limited copies without signing a contract or monopoly on copyright, simply to publish examples of the program’s work during that period, and then we were left with the option of publishing it, as it received remarkable demand and was chosen. One of the secondary schools in Sharjah considered it the best publication last year, and given the insistence of my colleagues and students to obtain copies of it, especially the keenness of a large number of female students to search for it in the exhibition, and the disappointment that it was not published, prompted me to take this step and come to your home, which has become an edifice of the word and a door of culture. To publish my collection, I ask the Almighty God for success.
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