A journalist residing in Buenos Aires turns forty and decides to write his first book, but what will he really write about? About sad poets? Ex-girlfriends? Boats? The man struggles to find a starting point. He writes notes about events that happened, moving between memories, dreams, and dialogues, but he feels that the life he lived was richer and more intense than everything he wrote. Was it really richer?
In the novel “The Well,” Juan Carlos Onte writes, through a flowing text that breaks down the barriers between times and places, feeling and subconsciousness, about a hero with a strange nature, marginalized, angry for no apparent reason, and always in some kind of misunderstanding that makes him unable to communicate. with the others.
At the end of the novel, Onetti leaves us with a shocking feeling, as we wonder about the nature of the work we read: Was it a novel, a dream, or do you see it as mere delirium?
Ingrid Barøy was born on a small island off the northwestern coast of Norway, an island inhabited by only one family, living out their ambitions and dreams that collide with the boundaries of the land and the weather, and the mercy of the sea, which provides a living, but also brings death.
Father Hans dreams of building a pier connecting them to the mainland, but contact with the outside world comes at a price, which Ingrid will know fully after she grows up and goes to work there for a wealthy family and take care of her two children. With the couple disappearing one day, she finds no choice but to return to her home with the two children, and thus the island’s population increases in number, and a different life begins, especially as Norway awakens to a wider world, a modern world that is volatile and can be cruel.
“The Invisibles” is a profound interrogation of freedom and destiny, written with delicate narration and brief, simple, calm sentences tinged with poetic tensions, creating a painting of natural cinema that makes the “invisible” clearly visible.
It includes four research studies that were completed in the third and fourth cycles of the Research Programme: To Deepen the Culture of Knowledge:
- Studying the Syrian cultural product in exile between democratic integration and acculturation. Germany is a model between the two stages of voluntary and forced migration, by researcher Heba Mehrez, under the supervision of Dr. Jamal Shehid.
- The development of Syrian television drama production mechanisms by researcher Wael Salem under the supervision of Dr. Mary Elias
- Children in the darkness of ISIS: between jihadist education and recruitment, by researcher Wassim Raif Salti and supervised by Dr. Jamal Shahid.
- The image of the homeland in the independent Syrian song (From All of Us Together to Bread of a State), by researcher Wassim Al-Sharafi and supervised by Dr. Mary Elias.
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