On a deep wound that requires ages to heal, the novelist, Kim Ecklin, presses to open a biography of genocide, and travels from the farthest west to the farthest east, to tell part of the tragedy of an Asian country, recording part of the testimonies of the living survivors, and those who wrote small signs, bearing two words. “We will not forget,” and they hung it on tree trunks, and it was also motivated by the story of a woman she met in the market of the Cambodian capital, Phnom Penh, who lost all of her family members at that time, and when the Canadian author asked her: “Can I help?” What can I do? Her answer was: “Nothing, I just wanted you to know.”
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هل أنا سعيدٌ حقًا بكوني "لطيفًا" إلى هذه الدرجة؟ هل لطافتي هذه تحافظ على حقوقي؟ هل أحصل من الآخرين على ما أتوقعه بسبب لطافتي؟
Kabanjara..... Now... after I presented the important moments that I experienced, which made me a stranger in the heart of my beloved country, a stranger in its thoughts and feelings For his loyalty, I thank God who enabled me to regain my strength to gather what was left of that citizen who grew up on the land of a homeland that did not deprive him of anything. My loyalty to my homeland will not be complete without clarifying some of the facts of the Brotherhood organization, so that its false masks fall between the covers of this book. Writer ...
، هو كتاب للجميع به جرعة ثقافية للوصول للمناعة النفسية، مبني على حقائق وبحوث علمية، قدمتها بطريقة
Misfortunes befall the Levant Sharif, the birth of strange children increases, drought and poverty prevail, and the attempt of Ibrahim Pasha and the apostles of the French Revolution who joined him to overthrow the state of the Ottoman Sultan is nothing but a sign of the imminent arrival of Satan, as the religious extremists see, trying to preserve the Levant Sharif, fighting the creation Newspapers and comics that encourage obscenity. All of this is happening outside, while Arwa sneaks into Bernardo’s house and messes with a strange drawing of a complete being, carrying both masculinity and femininity. In an interesting plot that combines imagination with history, myth, and folktales, Khairy Al-Dhahabi tries to read the effects of the French campaign in Syria, and monitors the return of theater to the Levant, discussing many problematic issues: myth, masculinity and femininity, and the Damascene people killing those who are gay among them.
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