ومن خلال تجارب الكاتبة الشخصية وتجارب النساء وضعت مجموعة من القواعد على طريقة الفتاة التي تجذب الرجل بحسب وصفها ، كي تتعلم منها النساء أن لا يخضعن طوال الوقت للرجل حتى لا يصبحن مُملات ، فبين الحين والآخر علي المرأة أن تتجدد ليشعر الرجل بالتغيير
Life is a drama, and drama is a drama within this drama, and most of it talks about this drama that emerges from it, and the process of acting is the enemy of this drama. The more we are honest in presenting this drama, and the more we are spontaneous, the more we seem real, and the exact opposite is true. When you look like you are acting, you will be closer to failure, and farther away from the audience’s love. Even a clown must clown with sincerity and spontaneity that makes him appear real. Our example is Charlie Chaplin, who used clown tools in all his roles that people know, and the audience interacted with the humanitarian issues that he raised and sympathized with them. .
We all know that what is presented on the screen are nothing but events that have no basis, so we think, but why do we follow them if we believe that? We follow it because we are in fact the heroes of this drama: its author, director, actor, and the rest of its makers speak in our name, act for us, and represent us at the same time, and when we follow them we are watching ourselves, or details from it.
This collection presents a group of stories that attempt to approach the worlds of drama in one way or another, in writing and acting.
Sports event protocol...
Through my specialty as one of the former employees in ceremonies, head of the Presidential Protocol Department at the Ministry of Presidential Affairs, and through my participation in the committees organizing official and international competitions, events and celebrations, both continental and international, as well as local, for more than twenty years, I felt the need to document the experience due to the scarcity of sources. Specialized in this matter, and to be one of the references for researchers in this field and those interested in the organizational affairs of the events crowning the winning sports teams, and as a support for sports institutions and organizers of celebrations and events in sporting events.
Since he found burnt bones in Tell Al-Makrab, bad luck has been accompanying Mahdi, as misfortunes continue to happen to him, as he thinks, but the head of the Egyptian excavation team has a different opinion, and that is why he seeks his help in searching for antiquities, and soon his intuition is correct, and they find the treasure. Which the ancient tales of sheikhs talk about. But bad luck intervenes again and sends his friend to prison. Will he survive? What does the ancient prophecy have to do with it? Who is the “girlfriend” that he will meet, so that each of them will change the fate of the other?
With an exciting narration, Bassam Shams El-Din moves from one event to another, telling us the story of Mahdi Nasari, a poor hired hand, shedding light on the entry of the Egyptian army into Yemen, and its support for the revolution led by the Republicans against the royalists there.
Retired teacher Pius Fernandez receives from one of his students an old notebook found in the back room of a shop in East Africa. It turns out to be the diary of a British officer who lived seven decades ago in the small town of Kikono. The diary captivates the teacher, and he tries to recreate the world in it, and breathe life into the souls trapped there, discovering a dark, burning secret, the secret of a simple man named “Pippa” whose life, after his marriage to “Mariamo,” became painfully linked to the life of the English officer. As Fernandez follows the diary's trail, he himself eventually becomes one of the tales of the Book of Secrets.
In this novel, which won the Giller Prize in its first edition, in 1994, Vasanji writes an influential work rich in questions, about a very rich and complex world, vibrant with colorful images, against the backdrop of great historical changes.
A train traveling with a single passenger is forced to stop for an entire hour, so the traveler leaves it and walks to waste time, but the paths lead him to a coal mine, then to a gypsy wedding, and finally to a place where five wolves were trapped, to carry out a plan targeting the village and its residents.
In an interesting plot, this novel pulls you in and carries you away without leaving you any chance to escape, as you follow the trail of this mysterious strange man and wonder: Who is he? A saint who came to save the village and its residents? Or just a mentally ill man running away with his madness? Or a philosopher? Or all of these together?
With linguistic and psychological intensity, Elena Alexeeva writes a novel that stands on the border between dystopia, magical realism, and absurdity, drawing inspiration from all of them without drowning in any of them. Therefore, in the year following its publication, it deserved the 2019 Novel of the Year Award and the National Book Center’s Feather Award.
