War has no female face (Nobel Prize for Literature 2015)
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Thousands of wars took place, short and long. We knew the details of some of them, while other details were absent among the bodies of the victims. Many wrote, but men always wrote about men. Everything we knew about war, we knew through “the man’s voice.” We are all prisoners of “men’s” perceptions and feelings about war, prisoners of “men’s” words. As for women, they have always been silent.
In World War II, approximately one million Soviet women participated in fighting on all fronts and in various tasks. Svetlana raises important questions about the role of women in the war: Why did women, who defended their land and took their place in an exclusive male world, not defend their history? Where are their words and where are their feelings? There is a whole hidden world. Their war remained unknown...
In her book, “War Has No Female Face,” Svetlana writes the history of this war. Women's war.
There are few writers who have chronicled with such honest clarity and such bold honesty the development of the soul through the stages of life. Peter Kamintsend (1904), Damian (1919), Siddhartha (1922), The Steppenwolf (1927), Narcissus and Goldmund (1930), and The Journey to the East (1932) are different versions of a spiritual autobiography, and different depictions of the path of Joan. Each new step refines the image of all previous steps, and each experience opens new worlds of exploration in a continuous effort to communicate the vision.
Hermann Hesse, winner of the Nobel Prize for Literature in 1962, was closely connected to the Indian world. He was influenced by Eastern philosophies. When he was once asked about the most important influences in his life, he said that they were “the Christian and never nationalistic spirit of my parents’ house,” “reading Chinese masterpieces,” and “the personality of the historian Jacob Burckhardt.”
Title: Jasmine has a story
Genre: Dramatic romantic novel
Number of pages: approximately 100
The idea:
Al-Yasmine's story is a novel that tells the story of the child Ghaith, who grew up alone, isolated, orphaned and living under the care of his grandparents. He found in Yasmine the wind that revived his body, and she became his everything and his eternal love from the time she came as a little girl to visit her grandparents until she became a young woman. Circumstances made it so that she lived with him in the same house, so that their attachment to each other increased in a strange way and their relationship became stronger. Ghaith worked hard to graduate and get a prestigious job in order to propose to her wealthy diplomat father, who ruled that this love would not last. They separated so that Yasmine left to study outside the country. Ghaith could not stay in a place that held her memories. He returned to his isolation, deciding to move away in order to forget her and become busy with his work as a soldier outside the country, devoting himself to serving the nation. Until that day came, five years later, when Yasmine decided to enter his life again, as she was unable to forget him. Ghaith, who was angry at her reappearance and unable to face his feelings towards her and making it difficult for her to forget her, tries to distance her from him. However, they fall in love with each other again with greater force. Ghaith decides to propose to her for the second time, but her father's insistence on refusal cuts off all hope of their reunion. Until fate decided, years later, that Ghaith was injured during a military exercise and transferred to the hospital where Yasmine worked as a doctor, to get to know his wife, who proved to her that Ghaith still loved her.
قبعات التفكير الست هي من أهم أساليب وطرق من الكاتب إدوارد دي بونو لتنمية الإبداع في تحسين التفكير الإبداعي وتساعد قبعات التفكير الست على منح عملية التفكير قدرها من الوقت والجهد وترتكز العملية الإبداعية على أمر هام جداً وهو نمط التفكير عند الإنسان وأسلوب تعامله العقلي والفكري مع مجريات الأحداث المختلفة
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