It is no longer necessary to stop at the picture written by Cervantes. There is a big difference between Don Quixote, which was written to make fun of him, or for any other purpose, and Don Quixote, which became our property, and we carried it in our imagination, subjected it to our perceptions, and we became free to remake and formulate it as we wish.
We can say that each of us has his own Don Quixote, whether he has read the novel or not, and whether he relies on the picture in the book or not. Whether he relied on his own interpretation of what was in the book, or projected into the book what he wanted.
The many faces of a character like Don Quixote give us the freedom and courage to express our own vision of him. Therefore, each of us is able to talk about the Don Quixote that he saw in the book, or the Don Quixote that he himself is raising in his symbolic and creative imagination.
Don Quixote is everywhere, and he is present in all of us. The Donquixote vision is one that does not give its owner the opportunity to retreat. There must be a pause that seems suicidal or crazy. Retreating in search of a new opportunity means overlooking the collapse that has occurred to humans and values. It means as if one overlooks deterioration. It is a kind of self-punishment to revive the consciences of others.
We can say in general that there must always be a Don Quixote pause so that honor does not die in life itself.
For this reason, it occurred to me one day to defend insanity.
About the story: The story of a beautiful girl who came from the land of the Nile and married (Atej). She lived in Fareej Al Murar, before settling in the Al Twar area. She adapted to the spectrum of Emirati society. She gave birth to girls and boys and had grandchildren. She was proficient in cooking, cooking, and Emirati ramsa. Her story is a collection of stories, her heroes and her children. The eight.
Retired teacher Pius Fernandez receives from one of his students an old notebook found in the back room of a shop in East Africa. It turns out to be the diary of a British officer who lived seven decades ago in the small town of Kikono. The diary captivates the teacher, and he tries to recreate the world in it, and breathe life into the souls trapped there, discovering a dark, burning secret, the secret of a simple man named “Pippa” whose life, after his marriage to “Mariamo,” became painfully linked to the life of the English officer. As Fernandez follows the diary's trail, he himself eventually becomes one of the tales of the Book of Secrets.
In this novel, which won the Giller Prize in its first edition, in 1994, Vasanji writes an influential work rich in questions, about a very rich and complex world, vibrant with colorful images, against the backdrop of great historical changes.
