إلى أفضل أم على الإطلاق بقلم ايزوبيل كارلسون ... الأمومة أكثر من مجرد خلق حياة جديدة، فهي تعني منح نعمة حب هائل لإنسان آخر، حب يختلف عن أي حب آخر. يتفتح هذا الحب في الأيام القليلة الأولى من حياة طفلك ويبدو كأنه لا يمكن أن يزداد قوة. ولكنه حب لا يتوقف أبداً عن النمو.
Sofia is a bold and hot-tempered child, unlike her grandmother, who takes care of her after her mother's death.
Every summer, you go on a new adventure together of a different kind: exploring parts of the island you live on, meeting new types of birds, swimming in the dangerous bay without Sofia’s father knowing, sleeping in a tent, building a miniature model of Venice, and writing a book about insects. .
Without addressing their true feelings, they spend their days in endless conversations and discussions about everything: the meaning of life and death, the nature of God and Satan, heaven and hell, and the concepts of love, family, friendship, and tolerance.
By creating an integrated world on a small, isolated island, Tova Jansson writes - in a magical style, and simple sentences loaded with profound concepts - a sweet novel about the friendship between a child who begins her journey in life, and her grandmother, who is approaching the end of this journey.
Was it still possible to add anything about Al-Mutanabbi, who filled the world and preoccupied the people, throughout these centuries that extended from his birth until now?!.. And did there remain a side of him that had not been studied, examined, and examined in more than one way, nor was it subject to discussion and debate among the fans of this great poet? And between his critics and haters?!..
Al-Mutanabbi is a unique figure in our literary heritage. His lovers, readers, and memorizers of his poetry are more numerous than those who can be counted, and it is too dangerous to clash with them without prior preparation and readiness. They have extensive knowledge of his poetry and many of the stages and details of his life. Their zeal in defending or attacking it is immeasurable. Therefore, the prior image is more binding. The imagined picture of him that they drew for him is too attached to the imagination to be discussed. Its relationship with national identity is more rooted and dangerous. This is what makes attacking him, for many, an attack on one of the nation’s “values and symbols.”
But I am writing about Al-Mutanabbi after I spent two full years reading him, analyzing his poetry, and studying the details of his life in order to write a television series about him. Dramatic writing requires its author to penetrate as much as he can into the souls of his heroes in order to understand them, to imagine them in the situations in which humans might be, and to draw their reactions, with dramatic logic, as human reactions might be. All of this is within the framework of documented historical information.
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