Al-Zeer Salem, the hero, between biography and history
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The controversy that took place on the pages of newspapers, magazines, and television seminars about the series Al-Zeer Salem moved this series from being an entertainment material that ends with (I like it or I do not like it), to being a cultural material whose discussion requires a cognitive reference.
The ending to Al-Zeer Salem in the series was one of the most controversial topics. The popular story ends when Al-Zir wins and Al-Jarru manages to kill his uncle Jassas and humiliate Bani Bakr. But history does not stop at the popular mood with which biography interacts.
People are defending the stereotype they have in their mind of the hero. Historical truth destroys and distorts this image. Therefore, it is easier for them to deny this fact than to accept it. Denial comes either by accusing us of forgery, distortion for the sake of omission, or ignorance of history or biography. Not to mention the accusation of being hostile to the nation and distorting the images of its heroes.
All of this created an opportunity for us to have a serious discussion about drama and its relationship to history and popular biography, by responding to some proposals. Perhaps this discussion will bring some benefit to the reader, and shed light on some of the ambiguities that have occurred.
وتستمر ملحمة الإنتقام والثأر ومرارة الفقد بداية من الفتنة التي ابتدأت من عند وصبان وآشور وبكل الأحداث التي تسببت بها والتي نقلتني بعييداً بكل جزء من تفاصيلها وسحرها مابين هجر،بلاد فارس، أرض الحجاز وجبل آريان ، تنتهي السلسلة عند دعجاء وأفسار.. لاتقل الرواية حبكةً وتشويقاً وإثارةً عن سابقتيها رغم بساطة الأسلوب إلا أنها عظيمة بمحاكاتها لوضع عالمنا العربي الحالي.. تحمل في طياتها الكثير من الرسائل والحِكم ... ختامية موفقة ورائعة لسلسلة عظيمة
Rabbits emerge from jacket sleeves, a car fixes a shed instead of a pole, and medical cotton speaks and makes sounds; These are some of the daily observations mixed with audio-visual hallucinations, narrated by a young drug addict, through a group of separate, connected short stories that describe the image of a world in which wakefulness and sleep are mixed, and reality and imagination.
In these stories, everything moves slowly, and the world is seen through a blur; As for death, it seems like a joke, even the feelings become numb; So that one laughs when one should cry.
Without lacking a sense of humor and bitter banter, Dennis Johnson presents in this collection an honest testimony about the lives of young addicts in the United States of America, and despite all the laughter and smiles generated by the book’s funny characters with their jokes and behavior, perhaps the reader will wonder at the end: Why does he feel this way? All sadness? It is a book written in the mouth of addicts, not about them, and describes their alienation and their connection with the world that is gradually fading.
