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Your slumber and your jealousy are killing me. Your neglect and absence kill me. I am here between the magic of your fingertips before dawn opens his heart and eyes. Do you still remember my beloved, or have travels, the call of dawn, and beautiful women of chance stolen you? Am I still in you like a bird that happily pecked your palm and then flew away so that you would not see its hidden sadness? On this day, I woke up to the rose of my heart between your lips. I felt the lines of your face with a tremor of fear that I would ignite her fleeing life. I saw the pupils of your eyes only to read the distances, the textures, and the seas that you crossed with a closed heart, to land exactly where you were destined to amaze me before you stole me. I saw you at the threshold of fear telling me what was in your heart, before you withdrew: I fear that I will die and not be satisfied with the touch of silk in your soul, nor with the storms of a body that was stolen since the first resurrection, nor with the luminous language that childhood buried in her heart, and closed tightly for fear of getting lost and forgotten. I search for you without fear of me, and I do not know how a lover can be the victim of a dream that he stole while unaware of his grief
On a deep wound that requires ages to heal, the novelist, Kim Ecklin, presses to open a biography of genocide, and travels from the farthest west to the farthest east, to tell part of the tragedy of an Asian country, recording part of the testimonies of the living survivors, and those who wrote small signs, bearing two words. “We will not forget,” and they hung it on tree trunks, and it was also motivated by the story of a woman she met in the market of the Cambodian capital, Phnom Penh, who lost all of her family members at that time, and when the Canadian author asked her: “Can I help?” What can I do? Her answer was: “Nothing, I just wanted you to know.”
The impact of the cultural institution in developing the capabilities of creative writing talents in the Emirates
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The influence of the cultural institution:
The research provides detailed information that examines the development of the abilities of gifted people in literary writing and finding effective methods to deal with them. This is because literary talents are a source of development in society and caring for them necessitates the development of proposals and optimal solutions that achieve continuity in their talents.
هي رواية خيالية بطلها شاب من قرية البهو فريك يجد نفسه يوما في أرض لا تتعامل بالنقود كسائر البشر، وبدل ذلك وحدات الذكاء فكل عمل مقابل مال في أرضنا يعادل هناك قيمة معينة من وحدات الذكاء.
Endless hordes of palm trees roll horizontally, regularly and lightly, behind a small human body, heading towards the village of “Al-Ghazala” to destroy it completely. While the residents of the village and its people live the horror of the last moments, awaiting their inevitable fate drawn by someone seeking revenge, there are pasts that unfold, events that appear, and stories that are reproduced to tell the story of two imaginary villages.
In a strange atmosphere, and the strangest relationships between the characters of his novel, “Ahmed Kamel” grapples with the idea of human helplessness, and delves into the worlds of secret desires, which people do not dare to announce or reveal.
“Mountain of Metaphors” is a novel that takes inspiration from the proverbs of villages in the Egyptian countryside, the beliefs of its people, and their fairy tales, to build its own myth.
A girl enters a nunnery with a box and a wedding dress. A woman follows a homeless woman wearing a green dress through the streets of the city. A third woman’s life changes after visiting her husband’s family cemetery, and she keeps searching for herself, for a “place.” And a fourth woman is lost in a world of gray, brown, and purple faces, above which a tree floats. She survives, and a fifth woman visits Istanbul with her husband and stays in the same hotel where Agatha Christie once stayed, and the lives of the two intersect in a mysterious way.
These five women are the heroines of Cristina Fernandez Cubas, who narrates a special magic that overwhelms us, seduces us, arouses our anger, and fills us with images, feelings, descriptions, and fantasies, before which we cannot be astonished, by the ability of her writer, to create a dreamy atmosphere in a unique literary style.
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