Khanir and Katara:
The book Khanir and Katara from the Emirates is considered a live and live broadcast in which it displays the manual techniques and technical skills for crafting and manufacturing the most famous and valuable daggers and swords in the Emirates, as it displays the manual techniques and decorative arts that forged the daggers and swords of the rulers and sheikhs of the Emirates, which reveals the artistic and aesthetic creativity of traditional manual work and how the craft was transmitted. Genetically among the sons of Al-Sayegh Muhammad Al-Naabi. The Katara in question in the title of the book is the Katara of the head of state and the one who published the cover of the book, while the Katara in question in the title is the Katara of Sheikh Sultan bin Saqr II, may God have mercy on him and forgive him. The title includes the most important national heritage symbols of the UAE.
A heritage, technical and artistic book that represents a living workshop for the craft of crafting swords and daggers in the UAE for the author’s family. The author used many mental processes to support the facts and achieve scientific credibility of the information, in addition to field visits and personal interviews. Documenting the information was based on observation through cohabitation and linking information and facts shared with global civilizations on the other hand. The technical, the artistic, and the craftsman. The writer also relied on deduction, inference, comparison, and analysis to arrive at facts that had no scientific reference in the craft environment.
Stories that begin, develop, become complicated, and are interrupted before they resume again. Their heroines: Siranah, Selti, Salma, Khansi, Aishana, women whose paths and destinies intersected in that charming region of northeastern Syria, with which the “Berlin-Baghdad Railway” tampered with and the destinies of its residents. .
From the plains of Mardin, the cities of Amuda and Ras al-Ain, and the villages of Shorik, Kondak, and Tal Halaf, these women whisper secrets in their low, intermittent voices filled with fear and illness. But their stories and songs go beyond their bodies’ struggle with tuberculosis, to immortalize the struggles of the Yazidis, Syriacs, and Armenians with oppression, massacres, and eternal alienation.
In Women of Tuberculosis, Reber Youssef, with his poetic language and his special sensitivity, explores the northeastern region of Syria, including its diversity: ethnic, religious, and racial, relying on in-depth historical, geographical, and anthropological research into what people live in that part of the earth, but he... Through his work, he creates a curiosity to explore history once again, after the northeast of the country now has the face of a woman.
