Articles on arts and heritage:
This book contains a number of arts and heritage articles published in Al-Bayan newspaper, and in a number of artistic and heritage magazines. We present them to readers, reviewed and revised, in one work, divided into four sections: The first: On heritage, news, narrations, and methodology, and includes seven titles of a connected format, interconnected in content, and the second: In heritage, news, narrations, and methodology. Heritage: A lived reality and current life. It includes eight titles in the same format, and the third: Recording and recording heritage, and under it fall three topics that are interconnected in meaning and content. The fourth: Art, its manifestations and publications, which includes six titles. There is no doubt that this edition gives the reader an opportunity to learn about the contents of the Emirati heritage, explore its authenticity, and learn about its components. It also enables him to observe the landmarks of the arts and the most important publications in their field
The best way to understand Bakunin suggests looking at what he wrote, and what he did, as part of a libertarian movement within the socialist movement and thought, and the main disagreement between him and Marx centered around the concept of authority and freedom. Regarding this point, Bakunin presented a set of ideas: on organization and revolution, and human nature, Criticism of the concepts of the social contract, the state, democracy, and elections; Marxism and liberalism are interconnected, intertwined, and transcend - in an amazing way - both; This is Bakunin's main intellectual contribution. Bakunin believes that all authorities are illegitimate, and that freedom is the main condition for human development. Before we present the details of his vision, we must clarify that Bakunin did not reject all authorities absolutely, and that anarchism is not chaos. Anarchism was subjected to a ruthless campaign to distort it, led by its companions: Marxists first, then liberals, and of course those with traditional authority, but it is an unjust campaign. In fact, Bakunin distinguishes between authority that does not emanate from below, but is imposed on people, and authority that consists of Below, in an organic and natural way, and it exercises its influence within specific and temporary limits.
978-9933-641-97-9 Summer harvest seasons, the colors of rivers, fish and stones, the warmth of celebrations in a small village, a wheat field facing the ocean, and the gentle touch of a small octopus on a bare foot... images that Le Clezio conjures from his early childhood in the region. Brutani, breathing life into it, with a captivating narration, before moving on to tell about his first encounter with war, hunger, and anxiety in the city of Nice.
In this book, the French writer Jean-Marie Gustave Leclezio goes beyond recounting memories, to approach the war and its lasting impact on his childhood, trying to understand the mysterious void it leaves inside everyone who lived through it, and then deeply explains the cultural and historical nature of the “less fortunate” cities in France, It entangles you in love with cities you have never visited
Amber and rosaries...the hobby of the elite: You will find, dear reader, between these pages some of the magical power that emanates from this yellow stone, weaving a garment of passion to search for the secrets hidden in amber. Your interest, dear reader, even a little, in the amber stone will be for you the beginning of an endless love. The more you enjoy it, the more you will be enchanted by its magic. You will find yourself faced with two choices: either you can be enchanted by it...or you will be enchanted by it. Talal Al-Rifai
Misfortunes befall the Levant Sharif, the birth of strange children increases, drought and poverty prevail, and the attempt of Ibrahim Pasha and the apostles of the French Revolution who joined him to overthrow the state of the Ottoman Sultan is nothing but a sign of the imminent arrival of Satan, as the religious extremists see, trying to preserve the Levant Sharif, fighting the creation Newspapers and comics that encourage obscenity.
All of this is happening outside, while Arwa sneaks into Bernardo’s house and messes with a strange drawing of a complete being, carrying both masculinity and femininity.
In an interesting plot that combines imagination with history, myth, and folktales, Khairy Al-Dhahabi tries to read the effects of the French campaign in Syria, and monitors the return of theater to the Levant, discussing many problematic issues: myth, masculinity and femininity, and the Damascene people killing those who are gay among them.
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