In a place of gratitude
Biography of the object and place
The book is an extrapolation of the biography of the late Sheikh Zayed Al Nahyan, may God have mercy on him, through various positions during which I tried to dwell on the biography through two speeches, the narrative speech, in which I dealt with chapters from the biography of Sheikh Zayed, which formed important joints in the process of construction and giving that he led, through a narrative narrative. He traced the biography from childhood and early upbringing, which played an important role in the personality of Sheikh Zayed, consolidating his knowledge and shaping his wisdom and humanitarian visions.
Imagination played an important role in educating those stages of time, through the historical clues indicated by his biography. This was in the chapter (The Knight of Wisdom and the Desert), where I spoke in the pre-biography about the relationship of the being with his existence, his self, and his relationship with the place, through mystical positions that he responds to in the stages of his life.
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A shrine of gratitude, where chapters from the biography of the late Sheikh Zayed bin Sultan Al Nahyan
- (In the position of narration) through the following time stages
"يقدم مهند الوادية بكتابه "تملك العقارات" تذكيرا واضحا لملاك ومدراء العقارات بمدى أهمية التفكير خارج النطاق التقليدي، حيث يوضح بابتكار وبطريقة عملية في كتابه
لقد حان وقت الخروج من قوقعتك!هل شعرت يومًا أنك غير قادر على استكمال حوارٍ قائم بالفعل؟ هل سبق أن رغبت في المغادرة من حفل مع الأصدقاء؟ هل تريد العودة إلى المنزل سريعا قبل نهاية كل يوم؟ الاستمتاع بالهدوء التام والجلسة الساكنة مع النفس؟ هل تشعر أنه لا أحد يفهمك؟ ..
Writings and thoughts from heart to heart and from soul to soul... written with stories, experiences and anecdotes...
Love has letters and words that are drawn over the lines...like paintings
Sorry, my love.. a revelation that takes us from earth to sky.. from sea to flower garden.. from meeting to separation.. from love to betrayals.. so that we can live the sweetest stories in once upon a time..
Khairy Al-Hallaq is a dangerous criminal sentenced to death. He spends the remainder of his life in prison waiting for the moment of execution of the sentence, and hides from everyone the secret that prompted him to commit his crime. A secret that might lighten his sentence, or save his life. When he enters the political prisoner ward, the criminal changes his convictions and reconsiders his life, thus dying a different person.
This “sermon” delves into the Turkish community of killers and criminals, to depict the prisoners’ diaries and their struggles in the cells, but it also carries a political and humanitarian dimension by criticizing the death penalty, and the societies’ attempt to purify themselves by choosing a scapegoat on whom to comment their crimes and corruption, and celebrate the joy of ending his life.
The sernama is usually a book that accurately describes a specific type of public celebration, but the sernama of Aziz Nessin conveys the facts and details of the execution of a “criminal” who lost his right to change.
سواء كنت تعاني الرفضَ في علاقة رومانسية أو في العمل أو مع الأصدقاء، فبمجرد انتهائك من هذا الكتاب ستتمتع بالمرونة اللازمة للتعافي بسرعة والتركيز على ما يجعل
One spring day, Don Juan lands in the garden of a cook who runs a restaurant near the ruins of a French monastery. A friendship is established between the two, and the adventurous traveler tells his friend on dark evenings his stories with women, each of whom is of indescribable beauty.
There are literary characters who are born and do not die. Over the years, these characters witness multiple births, each time taking on a different form and a new dimension. Among these characters is Don Juan, to whom Peter Handke returns in this novel, to raise many questions, and to present his reflections on love, the spirituality of love, and the passage of time, destroying the common image of his hero, presenting a new one. Claiming that all previous Don Juan characters were fake, and that "Don Juan" is the real and honest one.