والذي يعد بمثابة القانون الالهي لتحقيق الاحلام مدللا عليه بادلة من القران والسنه وكذلك بشواهد من سير عظماء التاريخ
Only fourteen pages, or perhaps a few lines are enough. A different and dangerous experience until I know which is more important: what we said so that it would be very simple memoirs suitable for publication, or what we said over long periods, most of which was not for publication. Like life, all details are important, but what we leave behind is just a small trace.
Manifestations of Mohammed bin Rashid Horses are in the character of Mohammed bin Rashid, the alphabet of language, and the dialectic of primary longings. They are the moment of brilliance in the race, in the context, and in the eternal view. They are a horse in the poetry of the poem, they are the cooing on the dewy branches, they are the curls at noon. We approach the youth of horses and the blink of a poem, and the brilliance awes us, and our ancient history, butterflies spread their sheets on the horseback with the chivalry of the nobles, and the youth of the nobles. We approach, while we are in the field, a feeling, a sky, studded with the verses of the Transfiguration and the spirit of the pure, we approach the horses of Muhammad bin Rashid, as if we are reading a poem by the most famous stallions. Poets, we approach a wild flower embraced by longing in a reddish soil. We approach the horses of Mohammed bin Rashid, as if we are following the steps of a language full of song. We approach the horses of Mohammed bin Rashid as if we are stepping into space. We approach the horses of Mohammed bin Rashid, as if we are drawing a picture of a star dancing in the sky. Heaven, we approach the horses of Mohammed bin Rashid, as if we are reciting the story of light in the imagination of the pious. We approach the horses of Mohammed bin Rashid, as if we are walking on a carpet of water. We approach the horses of Mohammed bin Rashid, as if we are flying with wings whose feathers are made of beautiful braids. We approach the horses of Muhammad. Bin Rashid, as if we were kissing the lip of the air. We were approaching the horses of Mohammed bin Rashid, as if we were hugging a rose on the equator. We were approaching the horses of Mohammed bin Rashid, as if we were lining up the letters of a poem in the style of Haifa. We were approaching the horses of Mohammed bin Rashid, as if we were crossing a river whose birds were in the same pattern. Eternity, we approach the horses of Mohammed bin Rashid, as if we were in the presence of Greek philosophies, we approach the horses of Mohammed bin Rashid, as if we were in the original, and in the chapter, the secret in the seismic leap controversy, we approach the horses of Mohammed bin Rashid, as if we were in the Houma and Jaljaliyya, approaching the horses of Mohammed Bin Rashid, as if we were in the hermitage of brilliance and oriental gumption. We approached the horses of Mohammed bin Rashid as if we were in the cloud’s sheath and the generous miniatures of abundance. We approached the horses of Mohammed bin Rashid as if we were in the heart of the cloud, rich in dust.
Everything has a reason, nothing happens without a reason. Few of the reasons we realize with our limited minds, and many of them remain unknown, known only to God, even if we think in a moment of arrogance that we have realized them. In this ever-changing world, there are only a few facts, in contrast to many hypotheses, and the eternal problem of man is that he is often hasty in transforming hypotheses into facts, until the moment comes when he discovers the error of his beliefs, and then submits to the reality, and admits the shortcomings of his understanding, and the limitations. Realize it. In order to live happily in your life, you must have a lot of flexibility. You must accept the idea of making a mistake, admit it, study its causes, and try to avoid it in the future.
Diwan (The Language of Beauty): Diwan (The Language of Beauty) is the first collection to combine poems that praise the love of the Arabic language. No poet had ever done this before. This collection includes twenty-seven poems, each of which revolves around defending the Arabic language, singing its praises, and chanting its lofty status.
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