رواية ما بين حقيقة الجريمة وهذيان القاتل، تأخذك لعالم التشويق والترقب لتعيش واقع يحكيه لنا جبران نفسه عن لعنة حقيقة حصلت من قبل مئات السنين وعادت بزمننا هذا،
It is said: “Writing theater is, in a way, knowing how to tell our story.” But the past ten years have undermined the axioms. Instead of asking how, we began to ask: Why do we talk, and about what? Thus, these four texts come today to answer these questions in their own way, and carry the concerns of their writers “here and now.”
A text depicting the city as he sees it: two elderly people guarding public toilets on a street in Damascus; Where stories seep out from under dirty bathroom doors, another about a young man who spends most of his time in the kitchen, unable to work and interact with others, and instead tries in vain to stop the water dripping from the tap so as not to drown him, and a third text about a faltering relationship between a Syrian young man residing inside... A Syrian woman residing in Germany. As the two try to maintain the connection that unites them in the face of the difficult circumstances of their lives, a final text sheds light on the mentality that prevails among Syrian artists in “Despora,” and affects their work mechanisms and their relationship with cultural institutions, by shedding light on the rehearsals of a theater group preparing for the play “The Return of Danton.” With projections on the Syrian situation.
Taken together, the texts of this workshop form an image that resembles its spaces with the questions of these spaces, or with the absence of questions, with the blurring or dominance of memory, with confusion, with boldness, with violence, and with death. Stage masters.
About the book
(Features of the heart):
In this book, I convey my thoughts, feelings, and personal experiences in a way that is somewhat vague or explicit at times.
I express this in short, not lengthy lines so that the meanings are conveyed quickly and enjoyable to the reader.
I use imaginative images to express, and sometimes I convey the truth of reality from experiences with full disclosure.
My humble writings are a personal effort and the result of two years or perhaps more, as I found encouragement to publish from a number of writers who read some of what I wrote.
I hope that my dream will come true through you, and I hope you can let me know your opinion about my humble writings, and I welcome your comments
Please accept my thanks and gratitude
my regards ,
Samira Khalifa
مهما مارس البشر من حيل لاخفاء عيوبهم, فيكون مصير ما يصنعون الفشل، أن قوانين الطبيعة البشرية تحتم اظهار العيوب ولكن أكثر الخلق يخفون عيوبهم فيرى أحدهم القذى فى عين أخيه ولا
Russia witnessed several revolutions, unrest, and bloody civil wars at the beginning of the twentieth century, resulting in the emergence of the Soviet Union, which formed an image of the great and invincible empire.
Some saw in it the fulfillment of the red socialist dream of building a superpower whose influence extended over almost half the world. While some saw it as one of the harshest forms of oppressive totalitarian rule, with huge detention centers and a difficult economic situation.
In the year 1991, this empire collapsed rapidly after several revolutions, unrest, and bloody civil wars, and the red man woke up to suddenly find himself living in the ruins of an empire collapsing into dozens of conflicting countries, witnessing a massive economic collapse and the end of the great dreams he had lived.
In her book, Svetlana does not search for answers to the big questions that interest the reader of history, but rather for thousands of small details of past daily life by collecting dozens of testimonies from ordinary people who lived this experience and its ups and downs.
Svetlana searches for the small night conversations that disappear with the morning, for the dream of a new future, of another time. However, it is the same time repeated; Used time..
/ مستعمل (نوبل للأداب 2015)-1717685694.jpg)
