وتجاوزها لعقبات أدمت قلبها الا انها لم تقبع باكية بل مضت في طريقها متسلحة بصبرها وذكائها وانوثتها حتى ملكت القلوب وحولت النفور لعشق ابدي… نسجت لكم خطاها
“I am suffocating and Tokyo does not sleep The story of the book is: I watch the city's inhabitants, programmed like robots, from the window of my narrow room, with dreams of attending those prestigious universities, those dreams that haunt us like ghosts. Tokyoites wear the same faces, the same fake laugh. The degree and inclination of bowing to greet one another is the same and does not increase or decrease a degree.” In the small greenhouse that I built for my dear flowers and roses, secret conversations take place and stories are told. Each of them tells the other her legend and the stories she witnessed and heard. I hide from them so that they do not notice my presence, and I record everything that happens between them in my notebook. It's always dawn, and I don't realize how long I've been here in this corner. The conversations and stories told by the roses were not happy at all, they were like thorns with their pain. The notebook contains a mixture of myths, stories, and texts that Al-Basataniyya collected to share with the reader, as he talks about the dark side of unlimited happiness, about disappointments, and betrayals that never heal. About those human relationships that do not rise to the sky. Briefly, about the definition of pain in its many faces, which are depicted with thorns running down their branches, leaving a prick, a mark on a finger that touched them, and hidden pain. From every garden is a flower and from every garden is a thorn Twenty-one thorns that the gardener documented in her notebook, proving that pain is a universal language that is not limited to the poor only, but transcends all social classes that humans have placed through their ignorance.
In the nineteenth century, the Papal Council was studying the canonization of Christoph Columbus as a saint. With his discovery of the New World, he doubled the area of land that Christianity could reach, but the large hall that discusses the matter is full of supporters and opponents of this canonization, as well as real-life figures and invisible ghosts. What will be the final decision? In this novel, the writer starts from a real event, and takes us centuries back to read what Columbus himself wrote about his travels. The writer presents us with a new picture, removing the legendary aura that history has given to this character. In this novel, which is the last novel written by Carpentier, he plays the string, the hand, and the shadow, all of which once again confirm this writer’s ability to merge history with art, and reality with the imagination, in a unique style.
طفلة صغيرة تقع فريسة مرض جينى غامض ينهش جسدها بلا توقف، فيتعاون والداها المنفصلان لإنقاذها،
كتاب يعلمك كيف تبتعد عن صغائر الأمور التي تؤثر سلبيا على حياتك وتدفعك الى الإتيان بأفعال غير سليمة أمام الأخرين , حيث يكشف مؤلف هذا الكتاب بلغة متعمقة الأساليب
Writing while standing: It is considered the last book by the late novelist Hassan Mutlaq, the author of the novel (Dabada), in which he talks about the philosophy of writing and the novel. It also embodies his reflections on awareness and perception, which he used to employ in the book and the novel. It is a book that prompts us to ask here: What are prose books? Why do we write? Who is the real writer? What is the point of literary writing? Who is the reader and what is reading? .
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