إلى أفضل أب على الإطلاق بقلم تيم فينتون ... لا شيء يمكن أن يعدك تماماً لما تعنيه كلمة أبوة. هل تذكر عندما حملت طفلك بين ذراعيك للمرة الأولى وسألت نفسك: "ماذا سيحدث بعدئذ؟". لا يوجد دليل أو تطبيق معين يمكنك من خوض رحلة الأبوة. إنها رحلة عاطفية لا يمكن التنبؤ بها. تتخللها ضحكات ودموع، وأوقات مليئة بالمرح والمواقف المضحكة وغير المتوقعة، وبلحظات عزيزة ستحملها في قلبك إلى الأبد.
Was it still possible to add anything about Al-Mutanabbi, who filled the world and preoccupied the people, throughout these centuries that extended from his birth until now?!.. And did there remain a side of him that had not been studied, examined, and examined in more than one way, nor was it subject to discussion and debate among the fans of this great poet? And between his critics and haters?!.. Al-Mutanabbi is a unique figure in our literary heritage. His lovers, readers, and memorizers of his poetry are more numerous than those who can be counted, and it is too dangerous to clash with them without prior preparation and readiness. They have extensive knowledge of his poetry and many of the stages and details of his life. Their zeal in defending or attacking it is immeasurable. Therefore, the prior image is more binding. The imagined picture of him that they drew for him is too attached to the imagination to be discussed. Its relationship with national identity is more rooted and dangerous. This is what makes attacking him, for many, an attack on one of the nation’s “values and symbols.” But I am writing about Al-Mutanabbi after I spent two full years reading him, analyzing his poetry, and studying the details of his life in order to write a television series about him. Dramatic writing requires its author to penetrate as much as he can into the souls of his heroes in order to understand them, to imagine them in the situations in which humans might be, and to draw their reactions, with dramatic logic, as human reactions might be. All of this is within the framework of documented historical information.
what Brother ...
Shawakh has never confided these secrets to anyone, which she buried in a very remote spot where no one can reach, but she realizes that painful secrets do to the soul what obesity does to the body. She must get rid of it before she becomes a victim without realizing it.
It later became clear that Dr. Muhammad Ghaleb specializes in treating soldiers after they come from war, saving them from the bloody nightmares that haunt them, from the pain of loss, from the panic attacks that afflict them if a balloon explodes in the hand of a child, from excessive sweating and a pale face if a metal spoon falls. On a marble surface.. Therefore, he could not look at Shawakh’s concerns, even though her struggle was real, but the doctor needed death, blood, devastation, and the sound of shelling and bombs... to acknowledge the existence of the conflict!
As for Shawach, her conflict was distracting, over this question, “How is it possible for two people to inhabit a body?”
Mahra bint Ahmed...
The work is a short symbolic love novel that brings Saqr together with his cousin Hamda since childhood, after a prior agreement between the parents.
• The work tells the story of the building of the union, and the change that took place in the region after the emergence of oil, with a review of the period of suffering and struggle.
• A review of mixed social life in the Emirates in all its forms, including the presence of Arab and foreign communities coexisting in love and brotherhood.
• A record of the change in the status of Emirati and Gulf women in particular and Arab women in general between the twentieth and twenty-first centuries, whether in dress, behavior, freedom of expression, choice, or participation in decision-making.
• The work is generally prepared and ready to be turned into a cinematic work that reviews life in the United Arab Emirates
In the period between 1960-1987 AD.
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