هل تعجز عن إيجاد الوقت المناسب للسعي وراء حلم من أحلامك؟ في هذا الكتاب ستتعرف على نظام بسيط من 4 خطوات: – لجعل الوقت يتضاعف بطرق مبتكرة وكأنك تعيش اليوم بعدد ...
About the novel.....
Rashid is a twenty-year-old young man, an orphan of parents. He grows up in the care of his aunt in Dubai. After his aunt’s death, he decides to return to his father’s house in a village in Fujairah. He brings workers to restore the old house and gets to know his neighbors in the village, and the father, Abdullah, and his granddaughter, Maryam.
Voices and ghosts begin to appear from the wall of the house, and each of them tells a story related to Rashid’s parents. The ghosts continue to appear and tell their stories, and Rashid becomes immersed in these stories, until the whole truth comes together about the death of his parents, the fire on his father’s farm, and the location of the treasure that was stolen, and the novel ends with his discovery. For the location of the treasure that Maryam’s father recovered and hid in a safe place until he found it, Rashid also searches for the real Maryam and marries her.
الجزء الأول من الرواية، الذي كان يحكي فيه بطلها داوود، كاتب الروايات الرومانسية، الذي قرر أن يكتب رواية جريمة عن قاتل مُتسلسل، يعرفه في الحقيقة وقد قابله بل وكانا صديقان، وفي نفس الوقت تكون روايته الأخيرة، حيث أنه مريض بالسرطان، وأيامه أصبحت معدودة في الحياة، لنستكشف حياة "داوود" المؤلمة في الحقيقة، بسخرية مُضحكة تجلى
At the Carnival in Venice, a wealthy Mexican meets a person disguised as the last Aztec king of Mexico: Montezuma, who was killed by the Spanish conquistador Hernán Cortés. He also meets three European musical geniuses who filled the history of music with their immortal works: the Venetian Antonio Vivaldi, the Neapolitan Scarlatti, and the English-German. Handel. Did he go back to the eighteenth century? Or did they advance to the twentieth century?
In this masterpiece, there is a mixture of truth and fiction, a jump between dates, a mixing of characters and roles, falsification of facts, and skepticism of history, all brought together by Alejo Carpentier within a Baroque concerto in which European music meets African rhythms, and you can imagine the music that resonates within the lines. And the voices that get louder, and the breaths that stop...
